I entertain so many interests.
Yet I command so little time, so little money, so little energy.
How did Da Vinci do it?
How did he generate such a torrent of ideas, inventions, and masterpieces?
Yes, I can accept that he was a superior intellect, a mind bursting with divine creativity.
But the sheer volume of his output—it almost beggars belief.
Was he not also constrained by the same temporal bounds? Twenty-four hours? One body? One life?
My mind burns for stimulation like an addict writhing for a fix.
In my youth, electronic wizardry was my drug of choice—circuits, sensors, the hum of potential.
Then came computers and programming, the siren song of logic and power wrapped in glowing screens.
But my cravings are promiscuous.
Simpler, older crafts now tempt me with their devilish allure:
woodworking with its tactile honesty,
cooking with its alchemical transformations,
language—prose and poetry—with its power to distill soul into syllable.
Oh, the torment of abundance!
So many muses beckon.
So many doorways open.
But the keys—time, money, energy—rarely align.
I pace the corridors of my curiosity like a famished guest at a feast he cannot touch.
Ambition gnaws at me.
Completion mocks me.
Desire multiplies, while time remains stubbornly finite.
And still I ask—how did Da Vinci do it?
Was he gifted not just with genius, but with the cruel blessing of never tiring?
Or was he, too, hounded by the ache of unrealized visions—
a man haunted not by what he achieved, but by what he never had time to begin?